Angela Wright was appointed as a lecturer in Romantic Literature here at Sheffield University in 2002, became a senior lecturer in 2010, and was promoted to a personal chair in Romantic Literature in 2015. Her research interest is in literature published between the 1760s and 1820s, and my publications have come broadly from the interactions between the Gothic and Romantic modes during these decades, both in Britain and in France.
In 2013, for example, she published Britain, France and the Gothic: The Import of Terror with Cambridge University Press, and there she investigated the roles played by translation, adaptation and silent plagiarism between the Gothic and Romantic modes in Britain and France. The book was shortlisted for the Allan Lloyd Smith memorial prize for the best book published upon the Gothic 2015, and won an honourable mention. It has also been reviewed widely in the Times Literary Supplement, the BARS Review and The Year’s Work in English Studies.
In 2018 Angela published my first single author study, a monograph entitled Mary Shelley. There, she explored the continuing fascination with the aesthetics of terror and horror that pervade the works of Mary Shelley from Frankenstein in 1818 to the later novels and short stories that she published in the 1810s, 1820s and even 30s. The book has chapters upon Frankenstein, Matilda, Valperga, The Last Man, and a selection of her short stories, and will encourage readers to take up some of her amazing, elegiac works beyond Frankenstein.
With Professor Michael Gamer (University of Pennsylvania), Angela is general editor of The Cambridge Edition of the Works of Ann Radcliffe and PI for the Ann Radcliffe, Then and Now project.
For more on Angela Wright’s research and teaching activities, see Angela's University of Sheffield staff page.
Rosie Whitcombe joined the School of English in 2022 and is currently the AHRC Research and Innovation Associate for the Ann Radcliffe, Then and Now project. She has written articles on a range of topics pertaining to Romantic and Gothic literature, including most recently 'Who's Reading Radcliffe? Transforming Gothic Readership, 1789-1904', forthcoming in 'The New Radcliffe', a special issue for Studies in Romanticism. Her essay, ‘Connection, Consolation, and the Power of Distance in the Letters of John Keats’, won the 2020 Keats-Shelley Essay Prize.
She is passionately committed to scholarship that recentres marginalised writers, and especially interested in Ann Radcliffe's Gothic mode and reputation, and how perceptions of Radcliffe, her work, and her readership changed after her death in 1823.
She is also co-creator of Books 'n' Cats, an educational YouTube channel that specialises in literary analysis of (mostly) Gothic texts, and which currently has over 80,000 subscribers.
View Rosie's University of Sheffield staff page here.
Josie Torres Barth is a visiting researcher and Fulbright Scholar in the School of English. She is a historian of broadcast media and Assistant Professor of Film and Media Studies in the Department of English at Bucknell University in Pennsylvania. Josie’s current book project, Uncanny on Air: Horror Anthologies from Radio to TV in the Postwar Home, focuses on the intersections of gender, domestic space, and new media technologies in US radio and television horror from the 1940s through the 1960s, to demonstrate how anxieties about technological, industrial, and cultural change became thematic fodder for home-based horror. Her work on horror radio and television has appeared in Adaptation, where it won the 2025 Early-Career Researcher Prize; Camera Obscura: Feminism, Culture, and Media Studies; and the edited collection Prestige Television: Cultural and Artistic Value in Twenty-First Century America (Rutgers University Press).
Andrew Smith was promoted to Professor of Nineteenth Century English Literature at the University of Sheffield in 2017, having worked at the University since 2012. His research interests are in Gothic literature, literature and science, nineteenth century literature, and critical theory. The Gothic of the eighteenth and nineteenth centuries was the topic of both his MA thesis and PhD at the University of Southampton.
Andrew has published widely on the Gothic and have given conference papers on related topics in the UK and in the USA, Canada, Spain, France, Belgium, Sweden, Germany and the Netherlands. He was elected Joint President of the International Gothic Association in 2009 and re-elected in 2011.
Andrew was elected a Fellow of the Royal Society of Arts in 2007 and elected a Fellow of the English Association in 2008. In 2015 he was elected a Fellow of the Royal Historical Society.
Andrew worked with Professor Ben Fisher (University of Mississippi) as editor of the award-winning ‘Gothic Literary Studies’ series for the University of Wales Press which has nearly thirty volumes either in print, in press, or under contract. He also edited (with Ben Fisher) the series ‘Gothic Authors: Critical revisions’ for the University of Wales Press, which specialises in 50,000-word polemical introductions to Gothic writers; he also edited the series ‘Edinburgh Companions to the Gothic’ for Edinburgh University Press with Professor William Hughes; and the series ‘Rethinking the Nineteenth Century’ for Manchester University Press with Professor Anna Barton.
Andrew Smith is a member of the Advisory Board of the ‘International Gothic’ series published by Manchester University Press.
For more on Andrew Smith’s research and teaching activities, see Andrew's University of Sheffield staff page.
Maisha Wester was visiting staff on a Global Professorship award, sponsored by the British Academy. She was also a 2017-2018 Fulbright scholar hosted at the University of Sheffield. Her home institution is Indiana University where she is an Associate Professor in American Studies. Her research focuses on racial representations in Gothic literature and Horror film, Black Diasporic Gothic literature and Horror Film, and sociopolitical appropriations of Gothic tropes in racial discourses. She teaches Horror film studies, American and British Gothic literature, and Black Feminist Literature.
Maisha is author of African American Gothic: Screams from Shadowed Places (Palgrave), which was shortlisted for the Allan Lloyd Smith memorial prize for the best book published upon the Gothic 2013. She is co-editor of the collection Twenty-First Century Gothic with Xavier Aldana Reyes. She has also authored numerous essays, including “Gothic In and As Race Theory” (in The Gothic and Theory: An Edinburgh Companion), “Nineteenth-Century British and American Gothic and the History of Slavery” (in The Cambridge History of the Gothic: Volume 2, Gothic in the Nineteenth Century), “The Abject Oath: British Psychosis and the Mythos of Mau Mau Oathing” (in Ofo: Journal of Transatlantic Studies) and “Torture Porn and Uneasy Feminisms: Re-thinking (Wo)men in Eli Roth’s Hostel Films” (in Quarterly Review of Film).
Maisha has also given a number of interviews, including:
a discussion of Southern Folk Tales as Gothic Horror for the documentary Woodlands Dark and Days Bewitched. (Severin Films, March 2021);
voice over and footage for the episode “A Comedy of Errors”, of A Crime to Remember. (Investigation Discovery Channel, Dec. 8, 2015);
and a discussion, “Bloodier than Tarantino: The Real Slave Narrative and Its Complexities” on the radio show Interchange. (WFHB, Feb. 17, 2015)
Maisha is the US Book Review Editor for the international journal Gothic Studies.
For more on Maisha Wester’s research and teaching activities, see Maisha's University of Sheffield staff page.